![]() LEVIN: I just love Anton Yelchin’s work, particularly a magnificent movie he did with Felicity Jones in 2011 called Like Crazy. Why were these the best actors to tell your story? It’s more fun to write about characters that are like that as well, but it does take more time. I think everybody has a little rule follower and a little rule breaker in them. I don’t think that’s how people are in real life. I’m not interested in white hats and black hats. When your characters are not white hats or black hats but something in between, you do have to be very careful about your details. LEVIN: It’s always hard, but it’s always fun to attack a premise that you think is interesting. How hard was it to get a script with this kind of premise to the place to make it all happen? This is not a romantic comedy in a traditional sense. I said at the time, “If I can’t direct it, then it just won’t be made.” ![]() There was never any thought other than that I would direct it. Was this a passion project you had always wanted to direct? I wanted to be responsible for that, for making sure that balance was struck. It really depends on nuances of execution. It has one foot in each camp, and it’s fragile for that reason. LEVIN: It’s a romance, but there are a lot of things that are also hopefully very funny, so it’s a delicate balance. ![]() What was it about this story that made you want to direct it as your first feature? So, it can be a fairly time consuming process. These people have to be perfect for the part, but they also have to be muscular enough in terms of box office to interest your investors. And then, it was Julie, Bonnie and me, a sort of three-headed monster, trying to find out actors. A couple of years thereafter, as the process was unfolding, Julie partnered up with Bonnie Curtis in Mockingbird Pictures. She said she wanted to do it, and we began the process of trying to get actors attached, which can take some time. She said, “I know who should produce this.” She introduced me to Julie Lynn. I showed it to my agent, Adriana Alberghetti, at WME. VICTOR LEVIN: It was written as a spec script by me in 2007. Check it all out in the interview below:Ĭollider: How did this project first come together for you? In an exclusive interview, Levin talked about how this was a passion project he’d always wanted to direct, why it’s not a romantic comedy in a traditional sense, how he found the best actors to tell his story, the film’s financing, how his television experience informed his approach, his visual style and the decision to shoot in widescreen, his inspiring collaboration with DP Arnaud Potier, Oscar-nominated production designer Jeannine Oppewall, costume designer Heidi Bivens, and editor Matt Maddox, the classical style score by composers Danny Bensi and Saunder Jurriaans, the wonderful NYC locations and celebrity cameos, and his new screenplay. Glenn Close, Frank Langella and Olivia Thirlby also star. ![]() The lessons he learns about life and love during their brief but tender courtship change him forever. Arielle (Marlohe), who enjoys an open relationship with her husband (Lambert Wilson), invites Brian (Yelchin) to join her in a passionate “cinq-à-sept” affair that he will never forget. You Are Reading : 5 TO 7 Director Victor Levin Talks Making a NonTraditional Romantic Comedyįilmmaker Victor Levin’s smartly written feature debut, 5 to 7, is a charming and funny love story about an aspiring young writer (Anton Yelchin) and the beautiful, sophisticated French woman (Bérénice Marlohe) who befriends him on a New York sidewalk. ![]() The filmmaker discusses how he secured financing, putting together his cast, shooting on location in NYC, and more. 5 TO 7 Director Victor Levin Talks Making a Non-Traditional Romantic Comedy ![]()
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